![thelonious monk ruby my dear thelonious monk ruby my dear](https://i.ytimg.com/vi/w1fi2KdTqUU/maxresdefault.jpg)
![thelonious monk ruby my dear thelonious monk ruby my dear](https://www.alevy.com/midi/ejbook/ruby.jpg)
It also appears on 5 by Monk by 5, and Solo Monk. A Ask Me Now Ī tonally ambiguous ballad in D ♭ first recorded on July 23, 1951, for the Genius of Modern Music sessions. Leonard Feather claims he gave the latter title. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme".
![thelonious monk ruby my dear thelonious monk ruby my dear](https://i.pinimg.com/564x/c4/f2/91/c4f29118816c377e4e73986da79607c4.jpg)
It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. Additionally, Blakey is in top form, with a solo that borders on spastic precision.A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944.
![thelonious monk ruby my dear thelonious monk ruby my dear](https://www.musicnotes.com/images/productimages/large/mtd/MN0116453.gif)
The same is true for this definitive version of "Epistrophy" - perhaps the zenith collaborative effort between Coltrane and Monk.
THELONIOUS MONK RUBY MY DEAR FULL
"Off Minor" is largely led by Monk, with solos that follow into and out of the memorable chorus that sparkles with the full involvement of the horn and rhythm sections. Blakey gently propels the rhythm, never getting in the way and sporting a serene snare groove throughout. "Ruby, My Dear" is bathed in the smoky essence of Hawkins' rich textures and Coltrane's playful cat-and-mouse aggression. Hearing Coltrane and Hawkins together is admittedly part of the charm in these sides.
THELONIOUS MONK RUBY MY DEAR FREE
So utterly free and fantastic, certain passages command immediate review to be fully comprehended. If his ability to swing and his utilization of atomic clock accuracy have ever been questioned, the answer lies no further. The angular stride style featured during the chorus of "Well You Needn't" is tackled with the same nimble authority as Monk's completely unfettered solos. This brief piece features only the horn quartet, foreshadowing their importance throughout the album. The true meaning of the album's title exists beyond just Thelonious, as the opening sacred prelude, "Abide With Me," was written by William H. Joining Thelonious Monk (piano) during these two recording sessions are Ray Copeland (trumpet), Gigi Gryce (alto sax), Coleman Hawkins (tenor sax), John Coltrane (tenor sax), Wilbur Ware (bass), and Art Blakey (drums). Although the original disc clocked in at slightly over 30 minutes, packed into that half hour are not only the introduction of a few of Monk's signature compositions, but also some amazing interactions from the assembled ensemble. Monk's Music is often cited as one of the focal points of Thelonious Monk's six-year affiliation (1955-1961) with the Riverside label.